Foothill Christian School was looking for some help to get across a complex plan for updating and improving the integration of Science, Technology, Engineering, Arts and Math or S.T.E.A.M.
We worked with their team to build a script and profile that would be entertaining but also easily understandable. The concept was to let our host walk us through what was happening at the same time interacting with their environment. We thought it would be great to do this though long takes. The final product is just 6 shots, 35 actors under the age of 12, and a whole lot of love.
Check out these behind the scenes shots taken by Adan Pena.
Foothill Christian also used Instagram, Twitter and facebook to help let their community know about the event and to tease what was coming up at their gala banquet.
Portnoy Media Group uses the influence of social networks to expand your organization's voice and tell your story. We connect people with your mission and enable your brand to be shared, discovered, and connected. Work with us as we empower your organization to dramatically extend your online presence and increase donations.
The 3rd Thursday of the month a group of people get together and turn a laundromat into a community hangout where the laundry is FREE. Bravo to Scott Overpeck and his team.
Check out the video we produced for them.
“5 whole years. That is 60 events. That is 1050 pounds of laundry detergent. That is 1800 individuals and families given dignity, friendship and the opportunity to wash their clothes. That is 6000 loads of laundry. That is 6000 dryer sheets. That is $30,000 given by folks just like you. Learn more and get involved at http://laundrylovesantaana.com“
United Way of Los Angeles
The Workplace Hero Campaign – Internet/Online Commercial – Campaign – Not-for-Profit In what was easily one of the most fun projects to create, The Workplace Hero Campaign for The United Way of Los Angeles was firing on all cylinders. When building this campaign, it was difficult because or solution had to have the ability to expand or contract depending on the place or format. Plus, with any campaign in Los Angeles, had to be ready for the media savvy and multi cultural market. Here’s the video: The campaign has raised over 100 Million so far in the past 2 years for The United Way of Los Angeles. Workplace Heroes has been used in conjunction with several corporate partners Like Enterprise Rent-a-Car, JPL, Lockheed Martin, UPS, and even the Mayor of Los Angeles got in on the cape and goggles action.
Big Thanks to:
Graphic Design – Jeff Millican at Double Vision Inc. Website – Tim Grahl and Joseph Hinson at Outthink Group Director of Photography – Ryan Prouty from Picture Block Produced by Tiffany Johnson, Jen Fodor, Dan Portnoy Directed by Dan Portnoy Visual Effects – Won Novalis for Abandon Films Editing – Justin Dial Hair and Makeup – Amy Holiber, April Metcalf Music – The Daylights Photograhy – Nathan Winston Actors – Lynn Downey Braswell, Dan Braswell, Isaac Johnson, Chris Artola, Angeline Woo, Teena Mazing, Jacqueline Caruso, Josh Roberts, Melissa Chinchilla, Sean Anthony Kaleialoha Nereu, United Way of Los Angeles Staff – Elise Buik, Maria Weist, Taulene Kagan, Jessica Yaz, Elian Ohebshalom, Bentley Coplin, Rachel Stich, David Bruce, Florence Chan, Cathy McClure, Christine Magiotta, Taj Wood, Dana Szyka, Chris Ko, Sarah Oesterle, Lisel Dotson, and Chris Sanchez.
4Liters – DIGDEEP
Take The 4Liter Challenge – Internet/Online Commercial – Editing Take The 4Liter Challenge – Internet/Online Commercial – Not-for-profit This project was lot fun too. The concept was already in full swing before our involvement. I was brought in to produce and then due to some scheduling conflicts, direct the project. A great cast, featuring David Henrie (Wizards of Waverly Place, How I Met Your Mother), Jen Cadena (Bigger than the Beatles, The Roommate), and the vocal stylings of Drake Bell (Ultimate Spider-man, Drake & Josh) The idea was to communicate all the different ways that the audience (15-40) takes water for granted without making people feel guilty. Put a positive and active spin on Produced by Michael W. Moore, Audrey Lecker, Dan Portnoy Director of Photography – Ryan Prouty for Picture Block Directed by – Dan Portnoy Editing and VFX – Won Novalis of Abandon Films Hair Makeup – Jenny Calderon Concept by Max Lanman Written by Max Lanman and George McGraw
Click to enbiggen
Nice piece from one spot.
“Don’t try to change the structure of the outside world [hoping that] then you’ll be fine, then you’ll be creative and then you’ll be brave. No. First, figure out how to be creative and brave and courageous, and the outside world will change on your behalf…”
Creativity, creation of art and dancing with fear/”The Resistance” is consistently on my mind lately. I really dig this conversation with Seth Godin and thought you would too.
Here’s 3 ways you can tell a better story today.
Over the past few weeks, I created a couple videos in partnership with Pure Charity for their BRAND NEW resources section and it launched today!
Head on over and check out their platform and see the difference they’re making for non-profits around the globe.
Here’s a couple quick ways you can engage your audience and new audiences today.
Like Captain Picard says, “Engage!”
I love receiving emails like this one from Wendy Wareham.
Dan,Although we have never met, I have enjoyed your book and your audio sessions. Your messages help fundraisers to remember to keep working on crafting the stories.I’m sending this along to you because I feel like, even though I have 30 years of fundraising experience, I’ve been “taken to school” by a photographer with a purpose. I thought you might find this interesting as well. It’s the clearest case for support I think I’ve ever seen–and an excellent job of storytelling. And he’s never done fundraising in his life!
So why does this video work so well?
Cures this certain to work are a rarity in medicine, but we have one, we actually have one, and the only thing standing between Eliza and her miracle is money. The trial is lacking funding to remain on schedule, and every moment counts as Eliza approaches the tipping point when her disease will take an irreversible turn for the worst.
I’ve never understood certain tactics from agencies. They boast and brag about building a brand and continuing customer relationships but it feels like snake oil tactics. Why would you associate your brand with friendly extortion and a negative experience?
You can tell a better story than this but it takes a little bit of forethought and a decision to not go for cheap gags. Commit to great storytelling and solid branding, build a relationship and increase average donation size and the amount of people connecting to your non-profit.
If I were consulting with this group, here’s where I’d start. These ideas aren’t spending anymore money than they currently are and should have a great impact. Let’s check out a bit about their background.
To provide wish kids with hope through uplifting and rejuvenating experiences refocusing on the joy of life.
To provide lasting support and memories for wish families.
To treat families and associates with dignity and protect their privacy.
To inspire greater community participation in fulfilling Wishing Star’s mission.
To sum up, Wishing Star has been around for 31 years and they have action steps (or what they solve) in their mission statement. This is great news. Clear and concise with no frilly language to confuse us.
- 6 active chapters of Wishing Star in various cities in the Pacific Northwest.
- Website is a bit dated but they report back on the wishes they’ve granted.
- The only social media is a Facebook fan page – might be a good idea to branch out.
- They have a good stream of events so they can easily tease “what’s next” through the end of the year.
- Lots of great stories that people can get behind, similar to Batkid. I found this video with 17K+ views and it has a lift bit of production value. They could easily create something on par or better.
- Lots of room to connect emotions with their cause. Emotions = action.
- Not a hard sell.
What we know:
We have access to goats, perhaps even baby goats. Who doesn’t like a baby goat?!?! They’ll look amazing on camera. Next up, let’s try a few ideas. Just spitballing and some of these will be bad. Here’s a few I’ve come up with:
- Whatever we do, we have to make sure it’s scalable. The only way to do that is to create content that is catchy, funny and sharable. Filming this and taking stills to share through your different social media accounts like Facebook, Twitter, Pinterest and Instagram.
- Can we do a set up at a school and bring the petting zoo to a school or several schools? Perhaps a private nursery school. Have kids interact, including those who have been designated as Wishing Star families. Film the interaction of families and communities collaborating
- Have the same set up at the local mall. Create a “scream like a goat contest”, film it, and give prizes for the winners.
- Can we conspire with some well known local celebs to play some practical jokes of ambushing them with goats and film it? Based on photos, they’re doing some of that already.
- Ditch the goats all together and come up with a better idea.
Making a video and if it’s good enough to share, you’re going to have to pay for it. But you might be able to convince the local news media to be your media sponsor. Let them put together the piece and then they’ll push it through their social media (plus it’s a great news story, they’ve already got the connections) and you can support it by sharing it on your channels. Of course you’re going to get a copy and put it on your YouTube page. Plus with a partnership like that shows your brand in a positive light, you’ll have all the benefits and none of the work.
Looking at their Facebook page, the goat thing is a big deal. Although it’s not really being seen by their tribe – A few dozen likes and 1 share, not the impact you want for a big push. (The tease for the goat promo received penetration – 195 likes and 110 shares.) I’d recommend spending a couple dollars to advertise on facebook or walk away from it completely and put more of a focus on Pinterest or Instagram.
This event/campaign could be an annual event that’s become a part of their DNA and something they’re known for. It strikes me as odd but I’m probably not their primary or secondary audience. Creating a great experience for them is far more important than making me feel comfortable. This is a reminder I often tell advisory boards – “If the idea/campaign is not created with your demographic in mind, it’s ok for you to hate it.”
What would you suggest they do? How can they tell the best story?